I did a little crewing for another shoot the other night, working as an AD. I also doubled up as a general runner, I looked after the actors and fetched all that was desired. My main task though was keeping time and reminding the director of how much he had per shot and also performing clapperboard duty. Although my role wasn't a creative one, I certainly managed to observe all kinds of creative decisions: how another director works with the actors, how other D.Ps light sets. This now gives me a more defined sense of what to do and what not to do.
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